Su Baker 'Apparent Structures'

Exploring the tension between natural processes and human form

Renowned artist Su Baker presents a compelling new body of work in her latest exhibition, Apparent Structures, opening [insert date] at [insert gallery name], Melbourne. In this exhibition, Baker extends her recent explorations of materiality, gesture, and abstraction, inviting audiences to engage with the subtle interplay between surface and structure.

Moving beyond the figurative and towards the elemental, Baker allows paint to find its own image. The resulting works reflect a dialogue between the organic flow of pigment and the quiet imposition of the canvas's physical framework - its weave, grain, and the subtle shadow of stretchers beneath. These ghostly impressions speak not only to the materials themselves, but to the unseen systems that shape our experience of art, space, and meaning.
"I'm interested in what happens when the material asserts itself - when paint, canvas, and structure negotiate their own relationship," says Baker. "There's something both vulnerable and insistent in what emerges."

Baker's practice spans over four decades, encompassing a deep engagement with painting as a contemporary act. Her latest works deepen her investigation into the tension between the autonomous act of painting and the structures - both physical and cultural - that contain and define it.

Apparent Structures continues Baker's commitment to abstraction as a form of critical and poetic inquiry, inviting viewers into a space where images are not declared, but discovered.